Nathalie Bonin
Creator: Composer: Violinist: Artistic DirectorLeads the artistic vision, music, performance, dramaturgy, audience journey and integration of every element.
Quantum Organic Reality
Connected Art
A living immersive performance created by award-winning violinist and composer Nathalie Bonin, QOR brings together live music, breath, movement, audience biometrics, spatial sound and responsive visuals.
The audience is no longer only watching: its presence becomes part of the artwork.
Not through a screen or controller—but through breath, attention and presence.
Selected audience members wear non-invasive biometric devices while Nathalie performs live. Their changing physiological signals become creative material, influencing a responsive world of image, movement and sound.
The technology is designed to recede. QOR is not a data demonstration or a conventional concert: it is an embodied, music-led environment where human presence becomes visible.
Live violin and original cinematic music guide the emotional arc. Breath and movement help participants arrive in the body. A small biometric cohort helps shape a shared visual and sonic environment for the entire room.
Breath, movement and voice create a threshold into shared attention.
Live violin and original music shape the dramatic journey.
Selected participants contribute real-time physiological signals.
Custom systems translate change into visual and sonic gestures.
Individual responses become part of a larger field experienced together.
QOR grew from Nathalie Bonin’s decades of experience as a violinist and composer—and from her lifelong curiosity about science, technology and the body. After asking, “What if the audience could co-create with the performer?” at Infinity Festival in 2024, she began a series of studies, performances and public activations exploring how music, embodied preparation and physiological signals could become one evolving artwork.
Select a chapter to follow the story.
Each phase brought QOR closer to a core artistic idea: a room can move through a shared arc while every participant remains distinctly themselves.
Live violin, guided breath and movement coincided with visible shifts in participants’ nervous-system patterns—the first sign that an audience’s inner state could become part of the artwork.
| What was tested | What emerged | What it changed |
|---|---|---|
| Live violin, breathwork, movement and wearables | Visible changes across repeated sessions | Established the first artistic proof that physiology could become creative material |
| Heart meditation | Tension index | Breathing coherence |
|---|---|---|
| Before | 93.9 | 29.0 |
| During | 87.5 | 44.3 |
| After | 85.0 | 47.6 |
The strongest session helped define QOR’s emerging journey: activation can give way to coherence, absorption and settling.
| Signal | Most promising pattern | Participant experience |
|---|---|---|
| Pulse and movement | Collective settling during the final violin Cadenza | Deep relaxation, peaceful flow and timelessness |
| Exploratory EEG | Shared directional shift at the live-violin entrance | Color, floating and heightened absorption |
| Embodied preparation | Movement and breath helped participants arrive in the body | Greater readiness to receive the music |
QOR is artist-led and intentionally interdisciplinary. Its core collaborators shape the music, biometric systems, responsive media, embodied preparation and public conversation that make the experience possible.
Leads the artistic vision, music, performance, dramaturgy, audience journey and integration of every element.
Provides continuity from earlier phases, biometric-capture expertise, technical guidance and research perspective.
Builds the bridge between biometric capture and responsive media through custom software, routing and cue integration.
Develops TouchDesigner-based visual systems and immersive media under Nathalie’s artistic direction.
Provides a specialized environment for repeated spatial-sound, audiovisual and immersive testing that supports QOR’s ongoing development.
Contributes perspectives on heart-brain coherence, compassion, wellness and the role of connected communities.
Helps shape and guide the embodied transition into presence, receptivity and deeper listening.
Supports embodied preparation, guided movement and the transition into shared attention.
Participant welcome, headset fitting, logistics, documentation, production and activation care are increasingly supported by a wider community of artists, advocates, advisors and early audiences.
QOR’s first official integrated public presentation unfolds in the full-dome environment of the Zeiss Planetarium Bochum—an artistic milestone, a work-in-progress and a gateway to future international presentation.
Visit SpherIcon ↗A daytime mini-activation testing live violin, movement, breathwork and simple biometric-connected visuals.
A demonstration performance refining the audience experience and responsive visual language before Germany.
Event details and tickets ↗Major current supporters remain visible and static. The scrolling lines below are prepared for the broader network of development partners, presenters and community collaborators; the text placeholders can be replaced with official logo files when they are ready.





Digital FUN
Infinity Festival Hollywood
The KINN
Veritas Yoga
Labyrinth Ball
Revive Artist Launch
Digital FUN
Infinity Festival Hollywood
The KINN
Veritas Yoga
Labyrinth Ball
Revive Artist Launch
Audilla
EMOTIV
Imagine Healthcare
JAXA Production
National Angel Capital Organization
NASA Jet Propulsion Laboratory
NexGen Health
Normal Studio
Noukii
Audilla
EMOTIV
Imagine Healthcare
JAXA Production
National Angel Capital Organization
NASA Jet Propulsion Laboratory
NexGen Health
Normal Studio
Noukii
Life Changes
Live With Purpose
Healthy Seminars
Life Changes
Live With Purpose
Healthy SeminarsSupport, participation and involvement vary by project phase.
QOR is seeking presenting partners, immersive venues, festivals, research collaborators, sponsors and communities interested in developing more human forms of responsive art.